Interviewed by James Moushon of HBS Author’s Spotlight

This is a fantastic interview (not because of me) by James Moushon of HBS Author’s Spotlight. He clearly put a lot of time and effort into his questions, and I enjoyed taking the time to delve deeper into my own process. Take a look.

SPOTLIGHT Questions and Answers with the Author:

First things first. Let’s start with what’s next. Rumor has it that you have another book on the horizon called Event Horizon. Can you tell us the timeline for its release and give us a little tease?

Yes! I just wrapped up Event Horizon, the second book in The Perseid Collapse Series. It’s available now for preorder on Amazon, and will be released on March 20, 2014. The Perseid Collapse Series is a gritty, post-apocalyptic story set in New England that chronicles the collapse of society from an “event.” The “event” is a devastating combination of a natural phenomenon with a sinister, manmade attack. The first several chapters of the novel focus on the big picture conspiracy and mechanics behind the “event,” but the reader is quickly put in regular shoes, to experience the disaster on a personal level.

You have a good following on twitter. How important have your social media relationships been? How did you build your following in your niche? Did you use forums, newsletters and methods like that?

My Twitter following can be a little deceptive. While I do engage with readers on Twitter, most of the impact there comes from retweets by other authors or followers interested in my genres of writing (Post-apocalyptic and political/espionage thrillers).

It’s an easy way for readers to reach out to me, without a ton of expectation. 140 characters makes for short conversation. Twitter also draws people to my blog. I keep a Twitter feed rolling with book reviews (for other authors’ books) and articles that I have posted to my blog. I see these retweeted quite often. The bulk of my regular social media presence comes from Facebook, both my personal page and thriller-writing page. It’s probably the best place to catch what I’m doing, besides my blog.

All of my news filters through Facebook. Blog posts, new release updates, exclusive content releases, contests, genre related news pieces. Beyond that, I do keep a mailing list, which I regularly (2x per month) update with new release information, exclusive content (sneak peek chapters), and upcoming book deals. I converse regularly via email with many readers on this list.

Finally, I’ll talk about finding a niche and expanding it— on my blog at http://wp.me/p1knlr-8h. Sorry to do that to everyone, but I can’t possible do justice to this important topic without sending this interview’s word count through the stratosphere.

Do you do book signings, interviews, speaking and personal appearances? If so, when and where is the next place where your readers can see you? Where can they keep up with your personal contacts online?

I have to admit that this is one part of the writer’s world in which I am conspicuously absent. Prior to quitting my day job in September of 2013, my time was divided between day job, family and writing, which left little time for anything else. The prospect of giving up weekend time or evenings to sign books didn’t appeal to me.

I have started to do radio interviews, which typically occur later at night and do not interfere with home life. Last week I spent an hour talking to a radio host and listeners in Fairbanks, Alaska. Reaching out and expanding my public exposure is one of my 2014 goals.

You have great covers. They carry a theme and your brand with them. How does your book cover creation process work? Do you hand over the basic theme or do you have more of a hands-on approach? Do you get your readers involved in its development?

Jeroen ten Berge is a gifted artist. I truly wish I could say that I had a direct hand in creating these amazing covers, but I don’t. I send Jeroen an early draft, sometimes just half of the book, and he starts to conceptualize the cover. He’s a big post-apocalyptic fan, so we talked back and forth quite a bit about the story, but I never dictate what I want to see. I leave that to him, and the results are incredible.

What writer support groups do you belong to? Do they help with the writing, marketing and the publishing process?CATCH THE REST AT HBS AUTHOR’S SPOTLIGHT!

 

Fiction Research: Black Hole or Thousand Points of Light?

The answer to this question depends on the genre. I’ll stick to what I know and focus on Technothrillers. 

Walking a fine lineReading reviews for my novels can be confusing. “If you like Clancy, you’ll love—” “Doesn’t overwhelm the reader with technical details.” “Too many equipment descriptions.” “Not Clancy.” All true, depending on the reader. For story details, I strive for the middle ground, with a tendency toward descriptions that would satisfy the pickiest Clancy readers.  On the flip side, Clancy-esque minutiae is NOT for everyone, including myself. I’ll be the first to admit, that I’ve read about three quarters of every Clancy novel. Readers skip passages no matter what you write, that’s reality—my goal is meet readers half way.  This has always been my personal preference as a reader, but as a writer, it’s necessary for survival. With most of my books purchased ($5.99 or below) and read on an e-reader, I can’t afford to lose a reader’s attention for very long. Within seconds, they can switch to something new and forget about me.

Research Bookmarks for The Perseid Collapse
Research Bookmarks for The Perseid Collapse

Been there. Done thatMany of my readers are convinced that I’m 1.)  a D.C. insider 2.) a former covert operative 3.) still involved in intelligence agency operations and 4.) have travelled extensively across every continent. There may be some truth to this. I’m not here to dispel rumors or burst anyone’s version of Steven Konkoly. What I will admit, is that I’ve never led an “off the books” Black Ops team on a raid against a Russian bioweapons facility or secretly crossed the Finnish border to investigate rumors of a virus outbreak in the Kola Peninsula.

How do I manage to capture the essence of these operations? My background gives me an advantage. I know the lingo (there’s still a ton I don’t know) and how to navigate online research. I know where to look for articles and how to tell if it’s authentic. Reading everything and anything (books, online articles, subscription sites) helps immensely. I wasn’t on the raid to capture Osama Bin Laden, but I know I could write a fictional OBL raid scene right now, and most readers would believe I had exclusive access to one of the DEVGRU operators on the mission.

How did someone like Tom Clancy get his descriptions, operational details and military jargon so close to reality? In the beginning, he must have fought for exclusive access to some incredible sources. There’s no other explanation. When he became famous, Clancy was granted nearly unfettered access to the military and D.C.  Keep in mind, Tom Clancy  worked in the insurance industry for nearly 15 years before his first novel, The Hunt for Red October, was released. Clancy never served in the military, but he managed to create the impression, from the very start, that he was an insider.

Research Bookmarks for Event Horizon
Research Bookmarks for Event Horizon

Prepping the battle field For me, initial research is critical to achieving momentum. I research on the fly, but I prefer to have the “framework research” already established. Once I finish with my version of plotting, as described in THE PROCESS, I sit back and figure out “framework” topics that need research. If a Marine Infantry Battalion plays a significant role in the story (like in The Perseid Collapse series), I need to know everything there is to know (without going crazy) about the current and future structures for a Marine Infantry Battalion. The Perseid Collapse series takes place in 2019, so I was particularly interested in papers published out of Quantico or the Navy War College about future structure and equipment concepts. This is one example of  dozens of framework research.

Don’t get bogged down here. You have to start writing at some point, and if you’re like me, I feel lost when I’m not in a story. This doesn’t require weeks of prep work. I identify the framework research and do enough to get me started on the novel. I typically like to write 20K words without breaking for heavy research.

Research on the flyThis is the land of Black Holes. Vast seas of time vanish from my day when I’m not disciplined about research on the fly. Sometimes it’s necessary to gain a solid understanding of an important concept, but there’s a difference between researching for the sake of educating yourself and researching to enhance your novel. Trust me, the line is extremely blurry. I still haven’t mastered it. Most of the time, you’ll only know it AFTER the fact. Like getting pick-pocketed. You’ll feel guilty and probably take a break—treat yourself to a snack, because…you’ve gone down a rabbit hole looking for a rabbit, and ended up finding Wonderland. I know I’ve seriously mismanaged my time, when I go on YouTube to watch a clip of a suppressed .50 Caliber sniper rifle for a scene in a book, and emerge from YouTube land 40 minutes later after watching the .50 Cal sniper scene from the movie Smoking Aces. It’s crazy if you haven’t seen it.  Careful, it’s violent and full of bad language. I just watched it again—I never learn.

Google Maps street level view of bridge in Event Horizon
Google Maps street level view of bridge in Event Horizon

Google is my travel agent:  I’ve never been to Novosibirsk, Russia, or Moscow, but I have it on pretty solid authority from a Russian author that most readers would never figure that out through my writing. Damn, I just spilled a secret. Oh well, while I’m at it—I’ve never been to Kazakstan or Argentina. My Russian author friend was surprised that I had never travelled to either Russian location. He knew I hadn’t lived there for any length of time, but the descriptions of the locations, the general feel and the “little things” passed muster.

I like the “little things.” Details about the culture, restaurants, beers, food, street conditions, traffic, graffiti, weather, money, trends—stuff you can find by reading traveller articles, restaurant reviews, hotel reviews, city reviews and tourism board sponsored sites. I spend time on this stuff, and in most cases, if I put a specific description of a location, hotel, street corner, park or restaurant in my novel, it’s real. I change the names (sometimes) for obvious reasons, but here’s a little hint. I rarely make us street names, and I often visualize scenes using Google Maps. If a gunfight occurs in front of 22 Bondegatan in Stockholm, disrupting a cafe with a red and white checkered awning, you’ll very likely find this to be a real place. Okay, I sort of pulled a fast one on you here. I’ve been to Stockholm—but I wrote the scenes from that book and submitted the manuscript to my editor before our Iceland Air flight left Boston.

Militia stronghold in Event Horizon-Eli Russell's place.
Militia stronghold in Event Horizon-Eli Russell’s place.

Here is an excerpt from a recent review. The reviewer is Gustavo Rossi from Buenos Aires. “…The political context is well managed too, and the references to Argentina (books 2 and 3 have long parts there) are surprisingly correct for an american writer…” I’ve never been there in person, but I’ve logged dozens of hours on the internet in “virtual Argentina.” Lesson learned? You don’t have to write on James Michener’s level to connect with a locale. 

Secret Contacts : I graduated from Annapolis with over 1,000 top notch men and women (somehow I got mixed in this crew), many of whom are still on active duty or in the active reserves. They’ve commanded warships, led SEAL platoons and Marine infantry companies in combat, served in the Pentagon, rotated on and off Unified Combatant Command staff (PACOM, CENTCOM, EURCOM, etc). During my eight years on active duty, I’ve met 100’s of other officer, enlisted and civilian contractors. It’s a vast network of professionals that doesn’t divulge secrets or pass information to celebrities. I’ll leave it at that.

The Bottom Line: For my style of writing and genre, detailed research is well worth the time. I’m always feeling the crunch to make progress on a novel, but not at the expense of the reader experience. The trick is deciding which details are essential to the story, and which are gratuitous displays of knowledge gained during a Black Hole trip through the Web. I’m still honing this process.